Times Revenges

By Robert Browning

    Ive a Friend, over the sea;     I like him, but he loves me;     It all grew out of the books I write;     They find such favour in his sight     That he slaughters you with savage looks     Because you dont admire my books:     He does himself though, and if some vein     Were to snap to-night in this heavy brain,     To-morrow month, if I lived to try,     Round should I just turn quietly,     Or out of the bedclothes stretch my hand     Till I found him, come from his foreign land     To be my nurse in this poor place,     And make my broth and wash my face,     And light my fire and, all the while,     Bear with his old good-humoured smile     That I told him Better have kept away     Than come and kill me, night and day,     With, worse than fever throbs and shoots,     The creaking of his clumsy boots.     I am as sure that this he would do     As that Saint Pauls is striking two:     And I think I rather . . . woe is me!     Yes, rather see him than not see,     If lifting a hand could seat him there     Before me in the empty chair     To-night, when my head aches indeed,     And I can neither think nor read     Nor make these purple fingers hold     The pen; this garrets freezing cold!     And Ive a Lady, There he wakes,     The laughing fiend and prince of snakes     Within me, at her name, to pray     Fate send some creature in the way     Of my love for her, to be down-torn,     Upthrust and outward borne,     So I might prove myself that sea     Of passion which I needs must be!     Call my thoughts false and my fancies quaint,     And my style infirm and its figures faint,     All the critics say, and more blame yet,     And not one angry word you get!     But, please you, wonder I would put     My cheek beneath that Ladys foot     Rather than trample under mine     The laurels of the Florentine,     And you shall see how the devil spends     A fire God gave for other ends!     I tell you, I stride up and down     This garret, crowned with loves best crown,     And feasted with loves perfect feast,     To think I kill for her, at least,     Body and soul and peace and fame,     Alike youths end and manhoods aim,     So is my spirit, as flesh with sin,     Filled full, eaten out and in     With the face of her, the eyes of her,     The lips, the little chin, the stir     Of shadow round her month; and she     Ill tell you, calmly would decree     That I should roast at a slow fire,     If that would compass her desire     And make her one whom they invite     To the famous ball to-morrow night.     There may be Heaven; there must be Hell;     Meantime, there is our Earth here, well!

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
The poem exhibits a rich exploration of human relationships, focusing on themes of friendship, infatuation, and the dichotomy of love and pain. The writer explores a friendship that is characterized by a lopsided emotional investment – the friend 'loves' the speaker more than he is 'liked' in return, and is seen as a source of both comfort and distress. The speaker's infatuation with a lady is viewed as destructive yet irresistibly captivating, suggesting a consideration of the destructive potential of obsessive love.

Structurally, the poem employs a conversational tone that makes the reader privy to the speaker's most intimate thoughts. The poet's use of imagery and metaphors, such as "the laughing fiend and prince of snakes" and "roast at a slow fire," are vividly evocative, painting a picture of both torment and ecstasy. The use of first-person narrative creates a sense of immediacy and intimacy, drawing the reader into the emotional landscape of the speaker.

The poem concludes with a philosophical contemplation, hinting at the temporality of earthly experiences and the inevitability of the afterlife. This final reflection ties together the various threads of the poem, suggesting that the intensity of human relationships, both joyous and painful, are ultimately ephemeral in the grand scheme of existence.

Exploring Lyric Poetry

Lyric poetry is a powerful and intimate form of expression, characterized by its focus on the personal emotions and thoughts of the poet. Often musical in nature, lyric poems resonate with readers through their vivid language and rhythmic flow, capturing moments of intense feeling.


Here are some key characteristics that define lyric poetry:

  • Expressive Language: Lyric poems use rich and evocative language to convey deep emotions, often painting a vivid picture of the poet's inner world.
  • Personal Perspective: Typically written in the first person, these poems offer a window into the poet's personal experiences, thoughts, and reflections.
  • Musicality: Lyric poems often feature a rhythmic structure, with meter and rhyme that give them a song-like quality, enhancing the emotional impact.

From ancient odes to contemporary free verse, lyric poetry remains a beloved and enduring form, celebrated for its ability to articulate the nuances of human emotion in a way that resonates deeply with readers.