Epilogue - Dramatis Person

By Robert Browning

    FIRST SPEAKER, as David I.     On the first of the Feast of Feasts,     The Dedication Day,     When the Levites joined the Priests     At the Altar in robed array,     Gave signal to sound and say, II.     When the thousands, rear and van,     Swarming with one accord     Became as a single man     (Look, gesture, thought and word)     In praising and thanking the Lord, III.     When the singers lift up their voice,     And the trumpets made endeavour,     Sounding, In God rejoice!     Saying, In Him rejoice     Whose mercy endureth for ever! IV.     Then the Temple filled with a cloud,     Even the House of the Lord;     Porch bent and pillar bowed:     For the presence of the Lord,     In the glory of His cloud,     Had filled the House of the Lord.     SECOND SPEAKER, as Renan     Gone now! All gone across the dark so far,     Sharpening fast, shuddering ever, shutting still,     Dwindling into the distance, dies that star     Which came, stood, opened once! We gazed our fill     With upturned faces on as real a Face     That, stooping from grave music and mild fire,     Took in our homage, made a visible place     Through many a depth of glory, gyre on gyre,     For the dim human tribute. Was this true?     Could man indeed avail, mere praise of his,     To help by rapture Gods own rapture too,     Thrill with a hearts red tinge that pure pale bliss?     Why did it end? Who failed to beat the breast,     And shriek, and throw the arms protesting wide,     When a first shadow showed the star addressed     Itself to motion, and on either side     The rims contracted as the rays retired;     The music, like a fountains sickening pulse,     Subsided on itself; awhile transpired     Some vestige of a Face no pangs convulse,     No prayers retard; then even this was gone,     Lost in the night at last. We, lone and left     Silent through centuries, ever and anon     Venture to probe again the vault bereft     Of all now save the lesser lights, a mist     Of multitudinous points, yet suns, men say     And this leaps ruby, this lurks amethyst,     But where may hide what came and loved our clay?     How shall the sage detect in yon expanse     The star which chose to stoop and stay for us?     Unroll the records! Hailed ye such advance     Indeed, and did your hope evanish thus?     Watchers of twilight, is the worst averred?     We shall not look up, know ourselves are seen,     Speak, and be sure that we again are heard,     Acting or suffering, have the disks serene     Reflect our life, absorb an earthly flame,     Nor doubt that, were mankind inert and numb,     Its core had never crimsoned all the same,     Nor, missing ours, its music fallen dumb?     Oh, dread succession to a dizzy post,     Sad sway of sceptre whose mere touch appals,     Ghastly dethronement, cursed by those the most     On whose repugnant brow the crown next falls!     THIRD SPEAKER I.     Witless alike of will and way divine,     How heavens high with earths low should intertwine!     Friends, I have seen through your eyes: now use mine! II.     Take the least man of all mankind, as I;     Look at his head and heart, find how and why     He differs from his fellows utterly: III.     Then, like me, watch when nature by degrees     Grows alive round him, as in Arctic seas     (They said of old) the instinctive water flees IV.     Toward some elected point of central rock,     As though, for its sake only, roamed the flock     Of waves about the waste: awhile they mock V.     With radiance caught for the occasion, hues     Of blackest hell now, now such reds and blues     As only heaven could fitly interfuse, VI.     The mimic monarch of the whirlpool, king     O the current for a minute: then they wring     Up by the roots and oversweep the thing, VII.     And hasten off, to play again elsewhere     The same part, choose another peak as bare,     They find and flatter, feast and finish there. VIII.     When you see what I tell you, nature dance     About each man of us, retire, advance,     As though the pageants end were to enhance IX.     His worth, and once the life, his product, gained     Roll away elsewhere, keep the strife sustained,     And show thus real, a thing the North but feigned X.     When you acknowledge that one world could do     All the diverse work, old yet ever new,     Divide us, each from other, me from you, XI.     Why, wheres the need of Temple, when the walls     O the world are that? What use of swells and falls     From Levites choir, Priests cries, and trumpet-calls? XII.     That one Face, far from vanish, rather grows,     Or decomposes but to recompose,     Become my universe that feels and knows.

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Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This complex and layered poem features three distinct voices, each presenting a unique perspective on divine interaction with humanity. The first voice, as David, encapsulates the jubilant, collective worship of the Lord in the Temple. The tone here is celebratory and reverential, featuring vivid depictions of communal rituals and emphasizing the divine presence manifesting as a cloud that fills the Temple. The structure is consistent, with concise, rhymed stanzas enhancing the rhythmic and ritualistic aspects of the narrative.

The second speaker, as Renan, presents a stark contrast, mourning the loss of the visible divine presence. The tone here is melancholic and questioning, and the language turns towards the metaphysical, invoking celestial imagery. The speaker seems to grapple with the existential crisis born of a perceived divine absence. The structure becomes more free-form, reflecting the speaker's turmoil and uncertainty.

The third speaker offers an alternative view, suggesting that divinity intertwines with nature and humanity. The tone is contemplative and philosophical, and the speaker employs metaphors from the natural world to illustrate their point. The structure returns to a more orderly form, mirroring the speaker's view of a cosmos where every individual is part of a divine plan. In this view, the divine presence doesn't vanish but rather recomposes into a universe that feels and knows.

The poem as a whole explores themes of divine presence, human interaction with the divine, and the interpretation of religious experience. The varying tones and structures between the speakers, along with the use of metaphor and vivid imagery, create a rich tapestry of perspectives on a shared theme.