Bad Dreams II

By Robert Browning

    You in the flesh and here,     Your very self! Now, wait!     One word! May I hope or fear?     Must I speak in love or hate?     Stay while I ruminate!     The fact and each circumstance     Dare you disown? Not you!     That vast dome, that huge dance,     And the gloom which overgrew     A possibly festive crew!     For why should men dance at all     Why women a crowd of both     Unless they are gay? Strange ball     Hands and feet plighting troth,     Yet partners enforced and loth!     Of who danced there, no shape     Did I recognize: thwart, perverse,     Each grasped each, past escape     In a whirl or weary or worse:     Mans sneer met womans curse,     While he and she toiled as if     Their guardian set galley-slaves     To supple chained limbs grown stiff:     Unmanacled trulls and knaves     The lash for who misbehaves!     And a gloom was, all the while,     Deeper and deeper yet     Oergrowing the rank and file     Of that army of haters set     To mimic loves fever-fret.     By the wall-side close I crept.     Avoiding the livid maze.     And, safely so far, outstepped     On a chamber, a chapel, says     My memory or betrays     Closet-like, kept aloof     From unseemly witnessing     What sport made floor and roof     Of the Devils palace ring     While his Damned amused their king.     Ay, for a low lamp burned,     And a silence lay about     What I, in the midst, discerned     Though dimly till, past doubt,     Twas a sort of throne stood out     High seat with steps, at least:     And the topmost step was filled     By whom? What vestured priest?     A stranger to me, his guild,     His cult, unreconciled     To my knowledge how guild and cult     Are clothed in this world of ours:     I pondered, but no result     Came to, unless that Giaours     So worship the Lower Powers.     When suddenly who entered?     Who knelt, did you guess I saw?     Who, raising that face were centred     Allegiance to love and law     So lately, off-casting awe,     Down-treading reserve, away     Thrusting respect . . . but mine     Stands firm, firm still shall stay!     Ask Satan! for I decline     To tell what I saw, in fine!     Yet here in the flesh you come,     Your same self, form and face,     In the eyes, mirth still at home!     On the lips, that commonplace     Perfection of honest grace!     Yet your errand is, needs must be,     To palliate, well, explain,     Expurgate in some degree     Your soul of its ugly stain.     Oh, you, the good in grain,     How was it your white took tinge?     A mere dream, never object!     Sleep leaves a door on hinge     Whence soul, ere our flesh suspect,     Is off and away: detect     Her vagaries when loose, who can!     Be she pranksome, be she prude,     Disguise with the day began:     With the night, ah, what ensued     From draughts of a drink hell-brewed?     Then She: What a queer wild dream!     And perhaps the best fun is,     Myself had its fellow, I seem     Scarce awake from yet. Twas this,     Shall I tell you? First, a kiss!     For the fault was just your own,     Tis myself expect apology:     You warned me to let alone     (Since our studies were mere philology)     That ticklish (you said) Anthology.     So I dreamed that I passed exam     Till a question posed me sore:     Who translated this epigram     By an author we best ignore?     And I answered, Hannah More!

Share & Analyze This Poem

Spread the beauty of poetry or dive deeper into analysis

Analyze This Poem

Discover the literary devices, structure, and deeper meaning

Create Image

Transform this poem into a beautiful shareable image

Copy to Clipboard

Save this poem for personal use or sharing offline


Share the Love of Poetry

Poem Details

Language: English
Keywords: Public Domain
Source: Public Domain Collection
Rights/Permissions: Public Domain

Analysis & Notes:
This poem is a deeply introspective exploration of human nature, the struggle between good and evil, and the thin veil between reality and dreams. The tone is haunting yet introspective, employing a gothic atmosphere to underscore its themes. The narrative voice is engaging, revealing a personal journey within a larger, more ominous, setting.

The poem uses a combination of vivid, sometimes surreal, imagery and rhetorical questions to create an atmosphere of uncertainty and introspection. The grand dance, the gloom, and the festive crew are metaphors for the human condition, with the dichotomy of joy and despair, love and hate, freedom and slavery. The structure of the poem, with its shifting scenes and perspectives, mirrors these conflicting emotions, underscoring the complex nature of human experience.

The use of dialogue towards the end of the poem provides an intimate glimpse into the speaker's psyche, as they grapple with their own identity and morality. It also serves to humanize the speaker, grounding the poem's lofty themes in concrete, personal experience. The poem's conclusion leaves readers with a sense of ambiguity and introspection, mirroring life's uncertainties and the ongoing struggle to understand and reconcile our inner selves with the outside world.

The poem's standout literary device is its vivid, evocative imagery, which immerses readers in its dark, surreal world. The descriptions of the dance, the gloomy atmosphere, and the unknown priest on the throne all serve to create a haunting, eerie atmosphere that underscores the poem's themes of uncertainty and introspection. The use of dialogue and direct address also adds a personal, intimate dimension to the poem, drawing readers into the speaker's inner struggle.

In conclusion, this is a deeply philosophical and introspective poem that uses vivid imagery and a shifting narrative perspective to explore the complexities of the human condition. Its haunting tone and ambiguous conclusion leave readers with a sense of unease and introspection, reflecting the poem's overarching theme of the struggle between good and