Ecclesiastical Sonnets - Part II. - XXXV - Cranmer

By William Wordsworth

Outstretching flame-ward his upbraided hand (O God of mercy, may no earthly seat Of judgment such presumptuous doom repeat!) Amid the shuddering throng doth Cranmer stand; Firm as the stake to which with iron band His frame is tied; firm from the naked feet To the bare head. The victory is complete: But oh! how dark the clouds of martyrdom Around his reverend head that meekly bends, Fearless as he had heard God’s voice from Heaven Pronounce earth’s kingdom’s strife for Heaven’s true friends The crown, and their reward,—what, that might be To one who dies in Christ, and lives in Heaven?
Written: 1822-01-01

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Poem Details

Date Written: 1822-01-01
Date Published: 1822-01-01
Language: English
Keywords: Ecclesiastical Sonnets, Reflection, Cranmer, Martyrdom, Faith
Source: Public Domain Collection
Publisher: W.Wordsworth
Rights/Permissions: Public Domain

Analysis & Notes:
A sonnet from Part II of the Ecclesiastical Sonnets series where Wordsworth reflects on the martyrdom of Thomas Cranmer. The poem portrays Cranmer’s unwavering faith and the victory of his spirit over the physical torment of martyrdom, highlighting the ultimate reward of eternal life in Heaven.

Understanding the Sonnet

The sonnet is one of the most enduring and celebrated forms of poetry, known for its strict structure and profound themes. With a history spanning centuries, sonnets have been used to explore love, beauty, politics, and mortality, all within the confines of just 14 lines.


Sonnets are characterized by their precise form and rhyme scheme, which vary depending on the type of sonnet. Here’s a closer look:

  • Shakespearean (English) Sonnet: Composed of three quatrains followed by a final couplet, with a rhyme scheme of ABABCDCDEFEFGG. This form often builds a complex argument or narrative, culminating in a powerful closing statement.
  • Petrarchan (Italian) Sonnet: Divided into an octave (eight lines) and a sestet (six lines), with a typical rhyme scheme of ABBAABBA for the octave, followed by various patterns in the sestet such as CDECDE or CDCDCD. The octave usually presents a problem, with the sestet providing a resolution.
  • Meter: Sonnets are traditionally written in iambic pentameter, which gives the poem a rhythmic and melodic quality that enhances its emotional impact.

The sonnet’s enduring appeal lies in its ability to condense complex emotions and ideas into a small but potent package, making it a favorite form for poets seeking to explore profound themes with precision and elegance.