Ecclesiastical Sonnets - Part II. - XXV - The Virgin

By William Wordsworth

Mother! whose virgin bosom was uncrost With the least shade of thought to sin allied; Woman! above all women glorified, Our tainted nature’s solitary boast; Purer than foam on central ocean tost, Brighter than eastern skies at daybreak strewn With fancied roses, than the unblemished moon Before her wane begins on heaven’s blue coast, Thy image falls to earth. Yet some, I ween, Not unforgiven, the suppliant knee might bend, As to a visible Power, in which did blend All that was mixed and reconciled in thee Of mother’s love with maiden purity, Of high with low, celestial with terrene!
Written: 1822-01-01

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Poem Details

Date Written: 1822-01-01
Date Published: 1822-01-01
Language: English
Keywords: Ecclesiastical Sonnets, Reflection, Virgin Mary, Purity, Motherhood
Source: Public Domain Collection
Publisher: W.Wordsworth
Rights/Permissions: Public Domain

Analysis & Notes:
A sonnet from Part II of the Ecclesiastical Sonnets series where Wordsworth reflects on the Virgin Mary. The poem celebrates her purity, motherhood, and exalted status, portraying her as a figure of divine grace and the “solitary boast” of human nature, blending the celestial with the earthly.

Understanding the Sonnet

The sonnet is one of the most enduring and celebrated forms of poetry, known for its strict structure and profound themes. With a history spanning centuries, sonnets have been used to explore love, beauty, politics, and mortality, all within the confines of just 14 lines.


Sonnets are characterized by their precise form and rhyme scheme, which vary depending on the type of sonnet. Here’s a closer look:

  • Shakespearean (English) Sonnet: Composed of three quatrains followed by a final couplet, with a rhyme scheme of ABABCDCDEFEFGG. This form often builds a complex argument or narrative, culminating in a powerful closing statement.
  • Petrarchan (Italian) Sonnet: Divided into an octave (eight lines) and a sestet (six lines), with a typical rhyme scheme of ABBAABBA for the octave, followed by various patterns in the sestet such as CDECDE or CDCDCD. The octave usually presents a problem, with the sestet providing a resolution.
  • Meter: Sonnets are traditionally written in iambic pentameter, which gives the poem a rhythmic and melodic quality that enhances its emotional impact.

The sonnet’s enduring appeal lies in its ability to condense complex emotions and ideas into a small but potent package, making it a favorite form for poets seeking to explore profound themes with precision and elegance.