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A rhetorical device in which successive phrases or sentences are constructed in such a way that the last word of one clause is the first word of the next, creating a chain-like effect.
The poet used gradatio to build intensity, each line leading inexorably to the next.
When you read a poem, look for patterns that match Gradatio. Note where it appears (line breaks, stanza positions), how often it repeats, and what emotion or emphasis it creates. Try underlining each instance, then ask: what changes if it’s removed?
A common mistake is confusing Gradatio with nearby concepts listed in ‘See also.’ Always check its defining feature: the formal rule or effect that makes it Gradatio, not just a similar device.
In essays, define Gradatio briefly, cite a short quotation, and explain the *specific* effect on tone, pacing, or imagery. Tie the effect to the poem’s theme rather than describing the device in isolation.
Which line uses Gradatio most clearly?
Tip: pick the line that shows the device’s defining feature.