Blank Verse Poems

“Unrhymed iambic pentameter—speech lifted into music.”

TitleAuthorType of Poem
A Boundless MomentRobert Lee FrostBlank Verse
A Brook In The CityRobert Lee FrostBlank Verse
A DedicationAlfred Lord TennysonBlank Verse
A Desolate ShoreWilliam Ernest HenleyBlank Verse
A FaceRobert BrowningBlank Verse
A Hillside ThawRobert Lee FrostBlank Verse
A Mans IdealElla Wheeler WilcoxBlank Verse
A Marine EtchingElla Wheeler WilcoxBlank Verse
A Medley: Our Enemies Have Falln (The Princess)Alfred Lord TennysonBlank Verse
A ProtestArthur Hugh CloughBlank Verse

Understanding Blank Verse

Blank verse is unrhymed iambic pentameter—five beats per line, rising from unstressed to stressed syllables. Without end-rhyme, it moves with a speech-like flexibility while retaining a strong musical pulse.


Key characteristics of blank verse:

  • Iambic Pentameter: Typically ten syllables per line (five iambs: da-DUM × 5). Natural variations occur.
  • No End-Rhyme: “Blank” means unrhymed—music comes from meter, phrasing, and internal echoes.
  • Flexibility & Range: Suited to drama, narrative, and meditative reflection; handles dialogue and description gracefully.
  • Enjambment & Caesura: Frequent line-overflow and mid-line pauses shape breath, pacing, and emphasis.
  • Subtle Variation: Inversions, feminine endings (an extra trailing unstressed syllable), and substitutions keep the rhythm alive.
  • Clarity of Thought: The steady meter supports extended argument, scene-setting, and emotional development.

Think of blank verse as elevated speech: its measured cadence lets ideas unfold with poise—formal, yet remarkably natural on the ear.