"Tales woven in rhyme, where legends and love live on in song."
| Title | Author | Type of Poem |
|---|---|---|
| To The Pliocene Skull | Bret Harte (Francis) | Ballad |
| To The Same, On The Author Being Threatened With His Resentment. (On Seeing The Beautiful Seat Of Lord Galloway.) | Robert Burns | Ballad |
| To W. A. - Or Ever The Knightly Years Were Gone | William Ernest Henley | Ballad |
| To W. R. (Madam Lifes A Piece In Bloom) | William Ernest Henley | Ballad |
| To-Morrow | Henry Lawson | Ballad |
| Tom Johnson's Quit. | James Whitcomb Riley | Ballad |
| Toys And Tragedy. | Victor-Marie Hugo | Ballad |
| Trade Winds | John Masefield | Ballad |
| Trafalgar Square | Robert Fuller Murray | Ballad |
| Tree, Old Tree Of The Triple Crook | William Ernest Henley | Ballad |
A ballad is a form of verse, often a narrative set to music, that has been a cornerstone of storytelling across various cultures. Traditionally passed down orally, ballads are known for their rhythmic structure and often tell tales of love, adventure, and heroism.
Ballads are characterized by their strong rhythm and repetition, making them both memorable and engaging. Here are some defining features:
From medieval minstrels to contemporary songwriters, ballads have continued to evolve, remaining a beloved form of expression that captures the human experience in a way that is both poetic and accessible.